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But in the last few years, technology has amplified this battle into an all-out war. Since they cant physically block the streets to stop cars from arriving, residents have spent years working on the next best solution: Make the sign invisible online鈥攕o no one can find it. How do you get to the Hollywood Sign The sign hangs off the side of Mt. Lee, a peak in the Santa Monica mountain range that runs east to west through Griffith Park, the largest urban stanley uk park in the U.S. While youre not allowed to scramble right up to the letters and take a seat on the W, you can summit the mountain itself, rewarding yourself with a stunning view of the city gourde stanley , the famous reversed-out letters at your feet its where I shot the photo below . The best access is from nearby Beachwood Canyon, home of the original Hollywoodland neighborhood that the sign was erected to advertise in 1923, at the stanley ca end of a steep but well-maintained trail. My photo from behind the Hollywood Sign, taken during the urban hike The Big Parade in 2009 When I first moved to LA 13 years ago, I lived at the base of Bronson Canyon, one canyon over. From our street we had a fairly clear shot of the sign and on the weekends there were often tourists taking what would later be known as selfies with H-O-L-L-Y-W-O-O-D behind them. Whenever I hiked through the neighborhood and up into the park, Id have at least one carful of visitors stop me to ask for driving directions to the sign. For starters, the sign is in a park, so you cant r Ohsm How Facebook s New News Feed Was Developed Using 8230; Post-Its
explains. The same t stanley cups hin termo stanley g has always been assumed to apply to art, too: We only like what we know, meaning that how we judge art is more about our subjective feelings than objective facts. Seems sensible, right A ten-year-old Cornell study, for example, proved it by exposing art students to obscure works by famous artists. At the beginning, students might have preferred the artist well-known masterpieces. But over time, as they were exposed to less critically-acclaimed works by the same artists, they began to prefer the more obscure works鈥攕eemingly proving that whether they liked a piece depended on exposure levels, not quality. The problem with that evidence, though, is that it tested works from a critically acclaimed artist. Would people start to like bad art if they were exposed to it more often, too That was the hypothesis posed by a study published in the British Journal of Aesthetics this spring. Unlike the 2003 study, though, these researchers exposed one group of students to one painting from a bad artist, Thomas Kinkade, as well one painting from a good artist, British painter Sir John Everett Millais: Millais Blow, Blow Thou Winter Wind 1892 . Thomas Kinkades A Peaceful Retreat 2002 . They expected students to like both the Kinkade and Millais paintings once they were repeatedly exposed to each, on stanley germany par with the 2003 studys findings. But it turned out that while students liked Millais more and more, they liked Kinkade less over time. Co
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